In the generative curves of the Bourse de Commerce, as an echo of the rondo of bodies that populate the vast, painted panorama encircling the building’s glass dome, the exhibition ‘Corps et âmes’ explores the significance of the body in contemporary thought through the works of some forty artists in the Pinault Collection. Freed from all mimetic constraints, the body — whether photographed, sculpted, drawn, filmed, or painted — does not cease to reinvent itself, thereby granting art an essential organic quality that allows it, like an umbilical cord, to take the pulse of the human body and soul.
